Our July workshop was a little bit of a trip down memory lane to back when we were practicing penmanship in grade school. Australian book artist
and paper engineer, Jean Kropper, got us thinking about how we can modify our
own style of writing to make words become part of our art. More than 50 of us
from England, Canada, and across the U.S. came together via Zoom to explore how
our writing can play a significant role in design. Many thanks go to Jean for
getting up at 4 a.m. “down under” to teach this workshop.
Jean showed us that we don’t need to be expert calligraphers.
By changing such simple things as how we hold our marker, using unusual or
different sized markers, changing the space we use between lines, printing
versus cursive, or even not using our dominate hand can give a whole different
look and perhaps a different meaning to our writing. We practiced printing a
simple paragraph using both upper and lower case letters while trying to
write in even, straight lines with tight spacing. Then we tried it again with a
loose, haphazard style before attempting the same paragraph in cursive. When
you compare the look of these samples you definitely get a different feel for
the words.
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| Margaret's sample |
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Bonnie's sample.
The top right sample was done with her left hand
which gave a VERY childish look to the words. |
More than one person had a hard time writing in a straight
line without lines being drawn on the page. Jean showed us ways to solve
that problem by using a light box or even writing against a window. One
participant said she changed how she held her pen but then couldn’t figure out
how to start forming an “s” or which side to make the circle for a “b”. Experiences
like that got us laughing at ourselves. We certainly learned that it takes
practice to control the different ways to write. Thank you Jean, for
reintroducing us to the art of the written word.
Museum Exhibition
The following photos are from the new rotation from the Cynthia Sears Artist's Books Collection at the Bainbridge Island Museum of Art. The theme is Every Day & Special Days, "a journey from daily delights and mundane activities to once-in-a-lifetime events. Time is marked through postcards or weather observations, holding ceremonies, or simply surviving a pandemic."
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| Shared Illusion by Bryan Kring |
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| The Land by Deborah Greenwood |
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One rhododendron bush in May 2020
by Aimee Lee |
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A Mealtime Blessing
by Bonnie Thompson Norman |
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| Quiescent Temple by Karen Stahlecker |
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| Local Conditions by Chandler O'Leary |
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This is a close-up of one possible assemblage
in Chandler's collection shown above. |
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Like Small Birds Singing
by Shane Miller |
This collection of books on exhibit will continue throughout the summer.
