Our August workshop was an introduction to Linda Powell and her book art. It was quite inspirational to see how she combines found objects into her books. Sometimes she challenges herself to feature just one item, like a leaf, throughout a book or use just one color. Her favorite book art tools are her sewing machine, typewriter, Big Shot, and gelli printing supplies. Her collages often feature pockets where she can tuck-in little items. Linda also showed how sometimes a mistake can turn into something special with a bit of a make-over or just featuring a part of it in a peak-a-boo pocket. All in all it was a lovely visit with Linda and we thank her very much for sharing her book art with us.
Wednesday, August 13, 2025
WORKSHOP REVIEW
Sunday, July 27, 2025
SHOW & TELL with LINDA POWERS
Our August workshop will be a Show & Tell introduction to member Linda Powers' creative process behind her Objet Trouvé books. These are intuitive collections of found papers, scraps, and odd bits assembled into spontaneous works of art. Inspired by her Black and White Mostly mini book, these simple pamphlet-stitched books are made from discarded prints, rust-dyed experiments, decorated papers, and everyday flotsam.
Each page is a reflection of Linda's creative spirit. She knows a book is finished when it feels like her--and earns a name.
Examples of Linda's books
Wednesday, July 16, 2025
DRUM LEAF & BIMA
The July workshop taught by Judy Detrick was instruction on how to make a book using a break-away Drum Leaf binding. Although we didn't quite make it all the way through finishing the binding, Judy was very thorough in her demonstrations and told us how to find more instructions on the binding. Sherrill Story shared the following photos of her finished book.
Back to Nature at BIMA
Anthology of Sky by Susan Collard |
Unwinding Through Time - Bark Beetle Book Vol XX by Suze Woolf |
Butterfly Books No. 1,2,3,& 4 by Roberto Benavidez |
Book of Bones by Velma Bolyard |
Birdsong: Boreal Chickadee by Andie Thrams |
Spring Spells by Hazel Monte |
Stitching the Forest Together by Lucia Harrison and Deborah Greenwood |
Ethereal Vines by Islam Aly |
Old Growth: Beneath the Forest Floor II by Lucia Harrison |
amendment by Elizabeth Banfield |
Backcountry Series: Quiet Wild by Andie Thrams |
Backcountry Series: Just Like Us by Andie Thrams |
Sunday, June 29, 2025
DRUM LEAF BINDING
Our July workshop will be a demonstration by Judy Detrick on how to make a book with a Drum Leaf Binding. According to AI, "Drum Leaf Binding is a bookbinding technique where single sheets of paper, folded in half to create folios, are glued together along the spine and fore-edge to create a flat opening book. This method, popularized by Timothy Ely, allows for uninterrupted full page spreads, making it ideal for artists' books, photo albums, and visual narratives according to CCAD Packard Library." For the cover, Judy will be teaching the Break-Away Spine as recommended by Tim Ely. Judy says that we can either follow along as she demonstrates, take notes, or watch the recorded video. She says this is a fun project and a great way to ease into a text block and a hard cover. If you have questions before the workshop, please feel free to email her at jdetrick@mcn.org.
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Break-Away Spine |
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Book open |
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Book closed |
Tool & Materials List:
- Pencil
- Scissors
- Metal Ruler
- Emery board (yes, the kind you file your nails with)
- Bone or Teflon folder
- Cutting mat 22" x 17"
- Olfa silver cutter (snap blade) or box knife
- PVA or Yes! paste
- Kindergarten round brush
- Kindergarten flat brush
- Waste sheets (used printer paper is good)
- Waxed paper
- Two (2) waxed paper covered bricks
- One (1) manila file folder or similar
- Cover paper or cloth
- Piece of strong long-fiber Japanese paper or any sturdy paper grain long
- Any number of photos or other artwork printed on good paper *
- * Trim them all to the same size; they will be folded into folios
- Two (2) end papers trimmed to the same size as the folios, grain parallel to fold; (save the scraps)
- Two (2) thin boards (1 mm thick) trimmed to the same size as the folios, grain parallel to fold
- Two (2) thick glossy magazines or phone books or paperbacks larger than the folios
July Meeting:
Where: On your computer, tablet or smartphone via Zoom
RSVP: Dolores Guffey by July 7 to receive the password
Workshop Questions: Judy Detrick jdetrick@mcn.org
Zoom Questions: Bobbie Hayes
Contact Information is in the newsletter
Monday, June 16, 2025
PAPER DISTRESSING & PSBA MEMBERS' EXHIBITION
PSBA 2025 Members' Exhibition
Under Our Feet by Judy Cook |
Trabajar Los Campos (to work the fields) by LeeAnne Campos |
Boundaries by Dorothy McQuistion |
Strange Birds by Gina Pisello |
Family Roots by Bonnie Julien |
Caps by Christie Houston |
Nature's Grey-ccordion Book by Donna Letterese |
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Meet Me in the Meadow by Jan Ward |
Field Notes by Fran McReynolds |
Bird is a Verb by Abbie Birmingham & Judith Roan |
Songs of Kaua'i by Laurel Moorhead |
Sunday, June 1, 2025
AGING & DISTRESSING TECHNIQUES
Our June workshop will be a paper play day. Carolyn Jones will show us a bunch of ways to add subtle color and texture to paper and card to give them an aged effect. She will show a bunch of examples of her experiments, demonstrate several quick techniques that we will be able to try right away, and suggest others that take a bit more time.
The biggest variable is the paper. The weight, fiber composition, color and texture all have an impact. Carolyn asks that we try to collect at least three different papers or cards that we like to use (light colors, different weights, different surfaces) and have multiple pieces of each so we can compare different techniques on the same paper. Small pieces are fine. We will be experimenting!!
Materials:
- Paper and/or card stock, a couple of kinds, about 10 pieces of each
- Texturing tools - sandpaper, steel wool, files, scoring tools, textured surfaces
- Natural colorants - used tea bags, coffee grounds in their filter, dry ground spices (turmeric and paprika work well, but grab a couple of others if you have them)
- Other colorants - ink pads (neutral colors), shoe polish
- Water - in a jar and in a spray bottle
- Applicators - brushes, sponges, toothbrushes
- Wax paper
- Flat working surface - such as a glass plate or cookie sheet
When: Saturday, June 14 at 10 a.m. PDT
Where: On your computer, tablet or smartphone via Zoom
RSVP: Dolores Guffey by June 9
Workshop Questions: Carolyn Jones cjweaver@fastmail.com
Zoom Questions: Bobbie Hayes
Contact information is in the newsletter
Member News
Nature, Paper, Fiber, Found is the title of a wonderful exhibit that just opened at the Newport, Oregon Visual Arts Center. Our NORBAG member, Cheri Aldrich, is the artist who created these amazing pieces of art. The show will be open through July 27 in the upstairs gallery.
Monday, May 12, 2025
MANDALA MAGIC
Barbara Clark introduced us to the wonderful world of Mandalas at our May workshop. Instead of making books, we learned some of the techniques involved with creating these magical pieces. It can be a kind of Zen activity to create and color these lovely designs. Thank you Barbara for sharing your techniques with us. Here is a sample of some of the Mandalas that were created.
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Bobbie Hayes |
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Annette Hansen |
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Stephanie Weigel |
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Stephanie Weigel |
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Michael Ebel Michael used only premade or handmade rubber stamps and colored markers to create his design. |
Sunday, April 27, 2025
MANDALAS
Our May workshop will feature Barbara Clark teaching us how to make a mandala. Just what is a mandala? "According to a Google search, "a mandala is a geometric design or pattern that represents the cosmos or deities in various heavenly worlds." "In their most basic form, mandalas are circles contained within a square and arranged into sections that are all organized around a single, central point. They're typically produced on paper or cloth, drawn on a surface with threads, fashioned in bronze, or built in stone."
Here are two beautiful mandala examples from Barbara.
Tools Needed:
- Ruler
- Pencil
- Waterproof black pen with a fine point like Micron or Sharpie
- Drawing compass
- Protractor
- Colors of any kind: watercolors, colored pencils, or markers
- 6-8 inch square piece of watercolor paper, mixed media paper or cardstock
Basic Structure:
- Find the center of your square piece by measuring corner to corner and making a light mark across.
- Lightly mark your north, south, east and west lines.
- Use your compass to draw concentric circles, and use the protractor to find specific degrees along the circles to draw different lines across your circles.