Edge Gerring led the November workshop for making faux
leather papers. She showed us three slightly different methods using either shoe
polish, liquid ink or stamp pads.
The materials list was simple: a spray bottle of a 1:6 ratio
of glycerin* to water, paste shoe polish (usually wax based), and ink pads that
are either dye based or pigment inks, and liquid inks. Edge supplied us with three sample papers
that were all a paper bag color for textured product and an envelope for a smooth finish leather look. We also had a lightweight craft paper, card stock, and an actual paper bag to see how each handled the colors and the wrinkling.
We started with the shoe polish technique by spraying the
papers with glycerin, then crumpling and drying the papers. The glycerin spray
makes the paper soft and supple (like leather). Then we applied shoe polish
lightly at first over the entire paper surface (optional to do color on the
back) and then changing or deepening
colors. When the polish was dry, we buffed with soft cloths.
When using a stamp pad, we used a slightly different
technique. We started by applying the stamp pad ink to the unwrinkled paper resulting in a single color or with multiple colors, then spraying
with the glycerin which caused dispersion of the stamp pad ink, followed by
rubbing and wrinkling the paper. We continued with the
stamp, spray, rub, crumple until we were happy with the results using multiple
colors at each iteration. When done with color, drying followed.
Using either technique, we could then apply stamp pad ink to the textured paper
to color the high places. (Note: without the crinkling, you will have the appearance of smooth leather.)
As usually happens with our workshops, Edge gave us hints
about how we could use this paper in our projects using backings or collage pastes and glues to strengthen the papers.
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| Edge Gerring |
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Edge brought samples of all of the materials and shared them with us. In this photo you can see the paste shoe polish, liquid spray paints, glycerin, Mod Podge and Collage Pauge. Also forms of paper that can be used.
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Each of us brought a spray bottle with 3/4 cup of plain water to be mixed with 1 oz of glycerin.
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| Edge brought papers for all three results and a complete set of instructions. |
One of the fun things about this kind of surface design is that it lends itself to lots of variation. The samples that Edge brought each had a "colophon" showing the papers, colors and technique used on the samples. If you enlarge each of these pictures, you can read her notes and see the variations.
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This is a photo of the smooth result made by pouring on a liquid ink and no crinkling.
It actually has the feel and look of a thin leather. |
Everyone put on their gloves and started playing. This was an interesting workshop because people were busily working and also walking around to see what others were doing.
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| Using paste polish on the wrinkled paper |
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| Drying paper |
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| While there is a can of paste wax open, the process our member is using is actually the smooth leather preparation. A liquid ink is put on paper, then glycerin is applied and the ink is dispersed over the entire paper. |
The following photos show samples of our work. We started with relatively simple single color examples, some with little color and others with more full coverage. Toward the end of the afternoon, we were using a wide color range.
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The bottom right sheet shows how a stamp pad can be used
to emphasize the raised portions of the wrinkles. |
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Note: This paper is folded over to show that a single sheet
might have a different color on front and back. |
Show and Tell table
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| Each month we have a show and tell table that might include newsletter project page projects, both current and future; works in progress; or samples of the next workshop. |
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| The open book pictured above and this book are from Peter and Donna Thomas' Wandering Book Artists workshop. |
*You may see glycerine, glycerol and glycerin as spellings for our material. Glycerol is the molecular compound that is undiluted. Glycerin is used interchangeably. When you see glycerin, you are usually using a commercially available mixture that is not molecularly "pure." All can be used with these techniques.
