North Redwoods Book Arts Guild

If you are interested in more info or joining, please email to no.redwoods.bag@gmail.com

Sunday, June 16, 2024

TUNNELS OF FUN

The June workshop was all about making a tunnel book. This is a great structure that incorporates perspective and depth perception into one view. Participants came up with some wonderful images for their tunnel books that featured backyard animals, Candyland, Beatrix Potter, and even a visit to the Newport Paper & Book Art Festival. Thank you Celeste Chalasini for a very rewarding workshop. 

Margaret Beech

Sherrill Story

Sherrill featured her granddaughter in a ballet performance.

Puget Sound Book Artists (PSBA) is currently holding their annual members' exhibition at Collins Library on the campus of the University of Puget Sound. The theme this year is Time Travel. The following photos are a sample of the books in the exhibit. If you are in the area, the exhibit will run until August 1.



Lynn Skordal
The Light Within represents travel through culture.

Suze Woolf
Bark Beetle Volume XLI: A Brief Bestiary of Bark Beetles

Ann Storey
The Grand Canyon of Color (Tunnel Book)

Deborah Greenwood
Amended. A collection of collected items collaged and stitched.

Bonnie Julien
Skara Brae

Mari Eckstein Gower
Robot Dreams

Judy Cook
Frosting Frenzy, A Home Economics Memory

John Arbuckle
Crow's Compendium II

Dorothy McCuistion
Transition.
Journal pages cut into strips and woven together.

Jan Dove
Don't Go


Tuesday, May 28, 2024

TUNNEL BOOK

 

Our June workshop will be a lesson in how to make a basic tunnel book. Taught by Celeste Chalasani, this will be an introduction into the world of tunnel books. What is a tunnel book? It is a structure that contains pages that are held together by folded strips of paper on each side that resemble an accordion. To “read” a tunnel book you look through a hole in the front cover. Each page features openings that allow the reader to see through to the back page. The images on each page work together to form a three-dimensional scene. The overall effect is an illusion of depth and perspective. According to Wonderopolis, https://wonderopolis.org/wonder/what-is-a-tunnel-book tunnel books date back to the mid-18th century when they were originally called “peep shows.” The concept was inspired by theatrical stage sets.

Participants in this workshop will need to print and cut out photos and “things” to go on four pages. In the workshop, we’ll cut frames, attach the “things” to the frames, create the accordion folds for the sides, and then attach the pages to the sides. Celeste will talk about variations—specifically about how you can add more pages and make the accordion longer to avoid the swell (and what that does to the book).


Materials:

  • One 3" x 5" photo printed out on cardstock. The photo should be a background photograph, showing something in the distance.  Celeste's photo above is from the "Meanwhile in Saskatchewan" Facebook page. Cut out your photo leaving a 1/2" margin all around so that the actual piece will be 4" x  6".
  • Three additional "things" of varying sizes for the foreground of the tunnel. Celeste's examples are two trees and a deer, both clipart found using Google images. "Thing" number one that's the closest to you, should be the largest. "Thing" two should be slightly smaller, and "thing" three should be the smallest. All three of these "things" should be larger than what's shown in your background photo. The three "things" will need to touch the frame they are attached to and should be cut out leaving a 1/2" tab on the side where they'll touch: underneath (if they touch the ground), above (if they touch the sky), or on either side.
  • Three (3) pieces of cardstock cut to 4" x 6"
  • Two (2) pieces of text-weight paper cut to 4" x 4"
  • Ruler
  • Xacto knife
  • Stylus or similar scoring tool
  • Glue stick 
  • scrap paper for gluing

When:    Saturday June 8, at 10 a.ml PDT
Where:   On your computer, tablet or smartphone via Zoom
RSVP:     Dolores Guffey by June 3
Workshop Questions:  Celeste Chalasani
Zoom Questions:  Bobbie Hayes
Contact information is in the newsletter.

Here are three more photos from the May Interlocking Accordion workshop taught by Mary Conley.

Sherrill Story


Thanks Sherrill for sharing your photos.


·       


Monday, May 13, 2024

INTERLOCKING ACCORDION REVIEW

 We had a great workshop on May 11 learning how to make an interlocking accordion. Mary Conley led us through the steps of how to put together this simple yet adaptable structure. Perhaps the best part is that there is no sewing and minimal gluing required. The size can be altered as long as you keep the ratio the same between the two accordion strips. We also learned a nifty little tip on how to easily fold a 10 sided accordion. Many thanks to Mary for coming up with this variation of a structure she learned from another NORBAG member, Kit Davey.

Here are some of the books that were made during or after the workshop.


Emmy Nelson



Stephanie Weigel



Michele Kamprath



Dolores Guffey



Notes from the Art Lab

By Bonnie Halfpenny

If you live anywhere near Minneapolis I’m sure you’re aware of the Minnesota Center for the Book Arts (MCBA). If not, you can still benefit by a visit to their excellent website at https://www.mnbookarts.org/. Now housed in a facility called Open Book, it is part of a comprehensive literary and book arts facility that served some 82,000 patrons of all ages last year.

Classes of all skill levels are taught. Some that are available online include Book Arts 101, Eleven Basic Book Structures, and Mail is Magic; all found under the Education Tab.

Under Exhibits & Events there are several virtual exhibits including Solastalgia: Book Art & the Climate Crisis, Drop Dead Gorgeous: Fine Bindings, and Bound/Unbound.

Besides residencies and fellowships, the Center also invites artists across the country to submit their work for sale in the consignment shop which can be found under the Shop tab. The application is online and they generally review applications within two weeks. The artist retains 60% of the sale price.

Summer’s coming…if you are headed to this part of the world, this would be a great place to visit in person!

Sunday, April 28, 2024

INTERLOCKING ACCORDIONS

 The May NORBAG workshop will be taught by our member from Victoria, BC, Mary Conley. The Interlocking Accordions structure is a variation of a book by Kit Davey. Mary describes it as being "fairly easy to make". As you can see from the following photographs, the structure is perfect for showcasing art or photos.


Materials:

Two (2) long accordions
  • One is 4.5 inches tall and 30 inches long. This is the illustrated part of the book. It needs to be folded into 10 pages that are 3 inches wide. Lightweight paper, like wrapping paper, is recommended.
  • The second accordion is 4.5 inches tall by 24 inches long. A stiffer paper is suggested...like cardstock. This piece needs to be folded into 8 pages that are 3 inches wide.
PLEASE FOLD THE ACCORDIONS PRIOR TO THE WORKSHOP
  • Bone folder
  • Xacto knife or box cutter
  • Pencil
  • Eraser
  • Ruler
  • Scissors
  • Glue stick
  • Template: Cut from cardstock a rectangle measuring 4.5 x 3 inches.

When:   Saturday, May 11 at 10 a.m. PDT
Where:  On your computer, tablet or smartphone via Zoom
RSVP:    To Dolores Guffey by May 6 to receive the password
Workshop Questions:  Mary Conley, sculptsster@gmail.com
Zoom Questions: Bobbie Hayes
Contact information is in the newsletter.

Tuesday, April 16, 2024

GIRDLE BOOK & COLETTE FU

At the April NORBAG workshop we made Girdle books (not really related to the kind of girdles that are worn as foundation garments 😉). The design for our books came from structures used during the middle ages that hung down from a person's belt. In this day and age, this type of book would work great as a nature journal where one could have their hands free, but the book would be very accessible. Lara Cox was our instructor and she did a great job leading us through this project. Now that we know the basics of how this structure works, it will be very interesting to see if our members come up with some other interpretations of the design. Thank you Lara for introducing us to this historical structure. Below are a couple of examples of books made during the workshop.

Sherrill Story

Sherrill's husband demonstrated
 how to wear her book.


Bonnie Julien

Inside cover of Bonnie's book.

Colette Fu

In November 2023 the Bainbridge Island Museum of Art (BIMA) welcomed artist Colette Fu for a month-long residency. Fu's work is a melding of her photography and pop-up engineering. Featured below are some of the books that were exhibited in the Sherry Grover gallery.


The legend is that Butterfly Mother gave birth
to 12 eggs, the origin of all living things.








Miao Fishing Contest









Saturday, March 23, 2024

GIRDLE BOOK

Our April workshop will be a follow-up to the March French Link stitch workshop taught by Lara Cox. For those of us who attended, we ended up with a 5 1/2" x 4 1/4" text block sewn with the French Link stitch. Now we're ready to turn that into a Girdle Book. Lara describes Girdle Books as "small portable books worn by medieval European monks, clergymen and aristocratic nobles as a popular accessory to medieval costume. They consisted of a book whose leather binding continued loose below the cover of the book in a long, tapered tail. The tail ended in a large knot which could be tucked into one's girdle or belt. The knot was usually strips of leather woven together for durability. The book hung upside down and backwards so that when swung upwards it was ready for reading. The books were most often religious in nature: a cleric's daily Office, or for lay persons (especially women), a Book of Hours."




Tools Needed:

  • Pencil, Ruler, Bone folder, Scissors
  • PVA Glue (or favorite paste) and brush for gluing.
  • Scrap paper for use in gluing. Old magazines work great.
  • Sewing needle and thread for finishing off the belt knot at the top of your fabric binding.

Please Prepare Ahead of Class:

  • Book Block: The book block you made in the March workshop or one of the same size: 5 1/2" tall x 4 1/4" wide x 5/8" thick.
  • Decorative End Papers: 2 pieces that measure 5 1/2" tall x 8 1/2" wide. These will be the End Papers at the front and back of your book. Mi Teintes or a similar weight of paper will work.
  • Bottom Paper/Fabric: This piece finishes the bottom of your book where the cover fabric extends. It can be a piece of your cover fabric or a color that matches your cover. (This piece needs to be 9" wide x 1 1/2" tall.)
  • Book Boards: 2 pieces precut book board measuring 5 3/4" tall x 4 5/8" wide for front and back covers. AND 1 piece of book board for the spine measuring 5 3/4" tall x 1/2" wide. **Note: Cereal boxes and such while not as heavy duty as book board are usable in place of book board for many bindings.
  • Cording and/or Ribbons for the closure and knot: 3 to 4 feet.
  • Pre-cut Cover Fabric: 24" tall x 10 1/2" wide. Suggested fabrics: Mid-weight wovens: cotton, linen or silk. Fake leather such as ultra suede or real leather as long as it's soft enough to fold easily. NO stretchy or sheer fabrics.
  • Cover Decoration: If you wish to pre-decorate the front of your cover, note that you will be working on the upper right corner of your fabric. The area in which you may decorate is 5" tall x 3 1/2" wide. Leave a border of 3/4" on the top and 1" on the right side free of decoration as these areas will be folded under.

When:    Saturday April 13 at 10 a.m. PDT
Where:   On your computer, tablet, or smartphone via Zoom
RSVP:    Dolores Guffey by April 8 to receive the password
Workshop questions: Lara Cox Lolastyle@hotmail.com
Zoom questions: Bobbie Hayes
Contact information is in the newsletter